The next room features W. Du Bois as a drum major, poised high above a fireplace mantel in an ode to the Atlanta University Center. Like the Pan-African flag, it speaks to the black liberation integral to the West End community. Literature or gallery information would help serve as a guide here.
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Black queer kids growing up in southwest Atlanta, like in many other places, see ourselves as alone. Much later, after we survive childhood, we learn about the army outside the gates: how they were there all along fighting for us to be free. But how can we know that we stand on the shoulders of giants when black queer memory is erased by racist institutions?
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